OK, Chris Hedges is a fine preacher who sometimes is prone to swap authenticity for the sound effects, nevertheless what he says resonates – Retribution for a World Lost in Screens:
“A print-based culture, as writer Neil Postman pointed out, demands rationality. The sequential, propositional character of the written word fosters what Walter Ong calls the “analytic management of knowledge.” But our brave new world of images dispenses with these attributes because the images do not require them to be understood. Communication in the image-based culture is not about knowledge. It is about the corporate manipulation of emotions, something logic, order, nuance and context protect us against. Thinking, in short, is forbidden. Entertainment and spectacle have become the aim of all human endeavors, including politics, which is how Stephen Colbert, playing his television character, can be permitted to testify before the House Judiciary Committee. Campaigns are built around the manufactured personal narratives of candidates, who function as political celebrities, rather than policies or ideas. News reports have become soap operas and mini-dramas revolving around the latest celebrity scandal.
Colleges and universities, which view students as customers and suck obscene tuition payments and loans out of them with the tantalizing promise of high-paying corporate jobs, have transformed themselves into resorts and theme parks. In this new system of education almost no one fails. Students become “brothers” or “sisters” in the atavistic, tribal embrace of eating clubs, fraternities or sororities. School spirit and school branding is paramount. Campus security keeps these isolated enclaves of privilege secure. And 90,000-seat football stadiums, along with their millionaire coaches, dominate the campus. It is moral leprosy.
The role of knowledge and art, as the ancient Greeks understood, is to create ekstasis, which means standing outside one’s self to give our individual life and struggle meaning and perspective. The role of art and scholarship is to transform us as individuals, not entertain us as a group. It is to nurture this capacity for understanding and empathy. Art and scholarship allow us to see the underlying structures and assumptions used to manipulate and control us. And this is why art, like intellectual endeavor, is feared by the corporate elite as subversive. This is why corporations have used their money to deform universities into vocational schools that spit out blinkered and illiterate systems managers. This is why the humanities are withering away.
The vast stage of entertainment that envelops our culture is intended to impart the opposite of ekstasis. Mass entertainment plays to the basest and crudest instincts of the crowd. It conditions us to have the same aspirations and desires. It forces us to speak in the same dead clichés and slogans. It homogenizes human experience. It wallows in a cloying nostalgia and sentimentalism that foster historical amnesia. It turns the Other into a cartoon or a stereotype. It prohibits empathy because it prohibits understanding. It denies human singularity and uniqueness. It assures us that we all have within us the ability, talent or luck to become famous and rich. It forms us into a lowing and compliant herd.”
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If you dig this kind of thing read “The Society of The Spectacle” by Guy Debord. Hedges owes a great debt to that work whether he realizes it or not.
Hedges paraphrases Karl Marx and adds some Christian revolutionary fervor on top of it. Then he dresses it all up in whatever he saw on the TV box last week.