Posts tagged as:

art

Michelangelo’s Muse Tommaso de’ Cavalieri

by Ben Atlas on 03.15.2010.12:52am · 0 comments

Michelangelo, The Fall of Phaeton. c. 1533, Royal Library, Windsor

When Michelangelo was in his late fifties he fell in love with a noble teenager Tommaso de’ Cavalieri. They continued to be close friends for 30 years till Michelangelo died. Michelangelo wrote series of poems and most importantly remarkable allegorical drawings as a gift to Tommaso. There is an exhibition of these drawings in the Courtland gallery in London. The one above is one the drawings Michelangelo gave as gift to his muse (video). Michelangelo was rather a prankster, draw an imaginary diagonal lines and see what was the absolute center of the composition. The falling horses are even more impressive than Leonardo’s horses in the Battle of Anghiari. ►►►read more

The Lobotomist Fyodor Dostoyevsky

by Ben Atlas on 03.13.2010.9:49am · 0 comments

Landstraße, Quint Buchholz

Ennio comments to Fyodor Dostoyevsky versus the Grand Inquisitor in Seville:

“People are wrong when they say that Dostoevsky was a Great Writer, …he was a Genius-Lobotomist… He never urges you to come, you always go visit him by your own will. You sit down on the chair, he looks into your eyes with a smile that makes you feel some cold beneath your stomach. Then he slowly gets his surgery tools, and starts drilling your cranial bone. Then he opens your head and with fast moving arms makes a mix of your gray substance and fresh oxygen that comes in through the opened window. After that he fixes your scalping bone back and leaves your alone within your pathetic existence. This is Dostoevsky, he never explains and never finish his work, letting you to do this by yourself. There are no Raskolnikoffs, no Mishkins and no Karamazovs at all, there are only the different forms of you – the reader. And you are the one to decide, nobody will decide for you. Just take a walk, feel the life running through your hands and finish that damn book! Then go home and kiss whoever you love – wife, daughter, mom… …and stay away from Dostoevsky, because if you want to be part of society – Dostoevsky is not for you, otherwise you will became an anxious exiled being.

P.S. I do thank Dostoevsky for his courage.

P.P.S. As Tolstoy said: “You can love or you can hate Dostoevsky. Whatever your feelings are, you should read him, you MUST!… at least once in a lifetime…”

Off Dostoyevsky topic: I have been looking today at the work of Quint Buchholz, I go back to it like to a favorite vacation spot. No all but most of the sidebar rotating images are his art. Quint wrote to me he was OK with that. I have been collecting postcards of his art for years, without even knowing it was the same artist. And suddenly I realized that there is a direct line from the German romantic Caspar David Driedrich to Quint Buchholz. The Werner Herzog shtick of looking through a back of person to a mystical landscape. In fact I been nursing a post about Caspar David Driedrich on this very subject. There is a tremendous revival and interest in the art of Caspar David Friedrich. The Lobotomists Union…

What is an Intellectual?

by Ben Atlas on 03.9.2010.9:28pm · 2 comments

John Frederick Lewis, Two horses pulling a plough, viewed from the back, c. 1820

We can’t define an intellectual by the volume of his database. Not even by his or her ability to reason. Alain de Botton writes that “a wealthy family in England in 1250 might have had three books in its possession: a Bible, a collection of prayers and a life of the saints”. They are not less intelligent than a college graduate in humanities after reading a thousand books. So intelligence is not a familiarity with the contemporary European philosophy, comparative fluency or ability to memorize. Intelligence is curiosity. This curiosity in turn fuels the exploration of a subject or an object.

I meet many people who have an enormous mental database covering a vast filed of knowledge. Yet they became jaded and lost their curiosity. It’s hard to describe these people as “intelligent”.

There are the current laments about the lack of intellectuals among the modern orthodox here and here (and not even an expectation about the other streams). This is unfair to people brought up or converted to the dogmatic culture. You can’t hold people responsible for the lack of curiosity if they are indoctrinated into a system that presumes and postulates more answers than questions. Centuries of breeding out the curious and curiosity as an undesirable trait are finally paying off.

Images licensed courtesy of Picture Library of the Royal Academy of Arts

Green Grass

by Ben Atlas on 03.7.2010.5:20pm · 0 comments

Lewis family, Adam and Eve , 19th C.

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Images licensed courtesy of Picture Library of the Royal Academy of Arts

A Good Point

by Ben Atlas on 03.7.2010.5:19pm · 0 comments

John Frederick Lewis, A sleeping child

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Images licensed courtesy of Picture Library of the Royal Academy of Arts

David Levine Inflection

by Ben Atlas on 03.3.2010.9:48pm · 0 comments

Mendel Schneerson

David Levine, perhaps the greatest American cultural caricaturist passed away in December. I have a special affinity for this art because my relative Joseph Igin was the Russian counterpart of  David Levine.  The new York Review of books published the entire archive of David Levin. Take a look at this Russian Writers caricatures, simply superb. Especially interesting are the different takes on the same people, you can see that these were not just semblance portraits but tour de force psychological descriptions, infections of the dominant personality notes. David Levine never seen this photo, yet he captured the Lubavitcher exactly, genius!

Art Imitates Life at the Met

by Ben Atlas on 03.2.2010.12:48pm · 0 comments

What used to be the great cafeteria and now the great Greek Hall at the Met on Sunday.

On a Tel Aviv bench, photo by Max Reider

The Internet culture is in crisis. Jewish blogs are stuck. A dignified livelihood is a challenge. Why? In one sentence, when a culture becomes derivative, it mines and depletes its own legacy. I started thinking about this topic when I read this paragraph in Jaron Lanier’s new book:

“It is astonishing how much of the chatter online is driven by fan responses to expression that was originally created within the sphere of old media and that is now being destroyed by the net. Comments about TV shows, major movies, commercial music releases, and video games must be responsible for almost as much bit traffic as porn. There is certainly nothing wrong with that, but since the web is killing the old media, we face a situation in which culture is effectively eating its own seed stock.”

Marshall McLuhan declared that “medium is the message”. What he meant was that a new form of expression, i.e. alphabet, writing, print, TV, etc., changes our brain wiring, tastes and values so radically that medium itself is the central cultural event. Inevitably at a dawn of every novel form of expression, a new medium is awkwardly used to reprocess the old, the bleak task comparable to translating poetry into a foreign language. This is the DJ stage where the Internet finds itself at the current moment. The old tunes are remixed, republished, relinked to a new beat, literally and figuratively no new music is created. Occasionally a new app is written for the legacy proprietary code instead of a new OS.

On to the Jews cursed with the satirical task of amplifying a culture. Every potential convert to Judaism needs to be aware of these axioms:

  1. Marshall McLuhan spoke about the “rear view mirror” phenomena or the propensity of any culture to live in a utopia about its past. Jews amplify this tendency in the worst possible way. Most traditional Jewish communities are consumed with intense utopia and the deliberate subterfuge of history.
  2. A Rabbi is a DJ, never singing in its own voice and forever spinning someone else’s tracks. There is a derivative throwback tendency in every culture but again amplified by the Jews. The tribe castigated to the two thousand years of the survivalist epic. With the rare exceptions (i.e. kabbalah) the innovation is shut down, conformism is bred and encouraged. People who can’t contain or control their creative impulses are eventually expelled from the traditional Jewish communities.
  3. Every group on the face of the earth is defined by what this group is not. Jaron Lanier calls this the “mob switch”. Once again this is most sensitive component of the traditional Jewish culture. Although the potential converts are not specifically instructed about the importance of the boundary defining hate, eventually to successfully integrate in the communities they would have to internalize the intense feeling of hatred towards other Jewish groups and denominations, towards the declared heretics, goyim, real and imaginary antisemites, etc.

Now let’s compare the three “Jewish problems” to the Internet. The Internet is definitely not a utopian vision of the past. There is strong revolutionary current, especially in the communal rhetoric of the Open Source movement and the Web 2.0 social. Alas, after a decade, a new server side oligarchy emerged to control the scalable bits. Instead of empowering creativity, no longer under a centralized command, there is a deliberate and impoverishing push for the “free”, the collapse of the copyright boundaries, devaluation of the original unpaid authorship under the assault the ad supported aggregators. The DJ culture is absolutely the internet as we know it today. The disastrous anonymous comments culture and the combustible flame wars take the group/mob hate to the unprecedented levels on the Internet.

And  what about the Wall St.? The financial services industry dominated by the derivative contracts became the most important part of the American GDP. There is an easy analogy to the Internet (or any derivatives dominated culture). People often complain that the stocks are the trading instruments removed from the real value of a company. An options contract or a credit default swap contract is like a tweet about a comment on a blog post that links to a different newspaper web site. Derivatives are comments removed from a productive culture, they don’t innovate, don’t create value and eventually pop. To slap a Dell label on a product engineered and fabricated in China is like linking to someone else’s content on a popular web site. Our religions, our ability to make a living and our “internet economy”, the trifecta, is overrun by the derivative thinking. We can no longer extract value from comments about the dried up wells and we can no longer destroy the remaining functioning artisan wells. We can no longer condemn people to the indignity of being replaced by the machines or the outsourced slaves. We can’t DJ, quote, link, mashup or re-aggregate our way from this crisis. You can quote me on that.

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Communication by Soizick Meister

I am not deleting the accounts. I would still have the ambassadorships there so people can find me. But I do plan to minimize my visits to the sites, max out the privacy settings in Facebook including the exclusion from the search result. Un-follow the static Twitter noise. I have been actually doing this for a while as my dissatisfaction with the social media grew stronger but the final push was listening and reading Jaron Lanier, now I know I am not alone in my observations.

Reasons to hang up on Twitter:

  • I might be interested in what my real friends are doing; I am certainly not interested in a stranger’s itinerary.
  • I initially though that Twitter is a good service to get to know people but I found a grid full of self promotion and little incentive in making a real contact.
  • Twitter gravitated towards the broadcast model, if I want to listen without being able to respond I might as well listen to a radio.
  • 140 characters are inadequate to express anything coherent.
  • People who pimp Twitter for marketing and promotion strike a religious tone that in itself should be enough of a turn off.
  • There are many users who tweet obsessively. I rarely find any value in their stream and links, but I am often concerned for their sanity, what else they might be missing in life?
  • The so called “real time search” is a sham.
  • The most annoying parade of Twitter/marketing experts and consultants. How stupid you need to be not to be able to figure out the f-ing 140 characters on your own?
  • Twitter management is in over their heads (I met one and wasn’t impressed). The “suggested users list” killed this service for good.

Reasons to hang up on Facebook:

  • All Facebook Apps are intrusive and stupid, grownups should know better.
  • I am not interested in becoming a fan of any pages. I might be interest in what an actual person has to say. They way to make me to subscribe is to show some worthwhile content that resonates. Not to subject me to the spam links. I get this “fan” email from people whom I barely know, or friended because I didn’t want to offend them. And instead of taking this as an opportunity to get to know a person they want me to become a fan of some silly page, how rude.
  • I think it’s dim to commit an original content to Facebook, without any control on how the content is displayed. This devalues the expression and lets Facebook monetize your ideas with cheap and inappropriate ads.
  • No one is listening on the Facebook. Everyone is pimping something all the time so people just tune everything out.
  • There is noting more idiotic that the “likes”. I actually seen recently someone “liking” a status update announcing being sad about a friend’s suicide.
  • There is a certain indignity in using the Facebook.
  • Most importantly there is no evidence of a deepened connection with Facebook friends. In fact there is nothing that has done a bigger damage to the real, lasting, face time friendships than the social media.

P.S. Jaron Lanier addresses specially the distorted peer pressure on teens who grew up with Facebook, the only collective, social form of life that they know. I can’t say it any better than Jaron.

A Thousand Days

by Ben Atlas on 02.3.2010.8:01pm · 0 comments

Sir George Clausen, 'Night', ca. 1904

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The image licensed courtesy of Picture Library of the Royal Academy of Arts

Der Golem und Der Batman

by Ben Atlas on 02.3.2010.10:18am · 0 comments

I was wondering where the image of the classic Batman is from. Sure enough, there is this Der Golem, Prager Phantasien, Lithographien zu Gustav Meyrinks Roman, von Hugo Steiner-Prag, (above) published in Leipzig, 1916. (image via flickr/center for jewish history). Compare to the classic Batman, there is the angle of the eyes, the most distinct mask-like black top from the middle of the face. No doubt this is the origin of the iconic comic superhero image. And how can you blame them for getting rid of the Jewish nose and generally going “Nordic” with the appropriate chin. (Batman via collectingfool)

Vanbrugh Castle by night

by Ben Atlas on 01.30.2010.11:57am · 0 comments

Sir John Gilbert, Vanbrugh Castle by night, December 1863

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The art licensed courtesy of Picture Library of the Royal Academy of Arts