Margaret Bourke-White (1904-1971) “was born in the Bronx, New York, to Joseph White (who came from an Orthodox Jewish family) and Minnie Bourke, the daughter of an Irish ship’s carpenter and an English cook; she was a Protestant. She grew up in Bound Brook, New Jersey (in a neighborhood now part of Middlesex), but graduated from Plainfield High School. Her father was a naturalist, engineer and inventor. His work improved the four-color printing process that is used for books and magazines.”
Posts tagged as:
life
I was looking at the Die Kubanische Revolution exhibition in München. So I decided to curate the Cuban Revolution Life archive and there are really interesting photos taken by Joseph Scherschel in 1958 -1961.
I have published number of photographs by the Life magazine photographer Frank Scherschel, his assignment in Djerba and his photographs in Israel in 1948 posts. On January 1st, 1950 Frank Scherschel took a number of photographs in the Mexico Prison. Perhaps this was a holiday and visiting day. There are sports events, visitors, lawyers and families inside the prison. This is my selections from the Mexico prison photos in the Life Archive. ►►►read more
Time article about Nassim Nicholas Taleb: the prophet of boom and doom lists the following ten rules. I want to add some notes to it [inside the brackets].
1. Scepticism is effortful and costly. It is better to be sceptical about matters of large consequences, and be imperfect, foolish and human in the small and the aesthetic.
[This is one of the major themes for Taleb. He says that we should be on a lookout for a major “black swan” like global financial crash or world war but accept and brush off small variation. Interestingly he includes aesthetic in the “small” category. This is an aspiration I agree with, it also goes somewhat contrary to the way humans evolved. Most people tend to obsess about small details, even (particularly) when a huge catastrophe is staring them in the eye.]
2. Go to parties. You can’t even start to know what you may find on the envelope of serendipity. If you suffer from agoraphobia, send colleagues.
[Taleb and his Greek shtick. He uses the word agoraphobia, of fear to go to the agora or square. This is the opposite of claustrophobia or fear of narrow places. Post Jungians like me like to blame introversion.]
3. It’s not a good idea to take a forecast from someone wearing a tie. If possible, tease people who take themselves and their knowledge too seriously.
[I think what Taleb means is that conformity is the skill that is contrary to what is required to anticipate and feel new and unexpected.]
4. Wear your best for your execution and stand dignified. Your last recourse against randomness is how you act — if you can’t control outcomes, you can control the elegance of your behaviour. You will always have the last word.
[I don’t know if it matters that much how person goes (Saddam Hussein was most dignified). Far more important is the road to Golgotha. Don’t betray or kill people on your way there, what pose you strike on your cross is far less important. I don’t think Taleb is sincere in his skepticism about the “aesthetic”.]
5. Don’t disturb complicated systems that have been around for a very long time. We don’t understand their logic. Don’t pollute the planet. Leave it the way we found it, regardless of scientific ‘evidence’.
[Taleb grew up around Greek Orthodox monastery in Lebanon. It's ok to be autobiographical. But it’s more likely that an old complicated system will pollute and disturb you, not the other way around.]
6. Learn to fail with pride — and do so fast and cleanly. Maximise trial and error — by mastering the error part.
[Nothing to add here.]
7. Avoid losers. If you hear someone use the words ‘impossible’, ‘never’, ‘too difficult’ too often, drop him or her from your social network. Never take ‘no’ for an answer (conversely, take most ‘yeses’ as ‘most probably’).
[Taleb wants it both ways. On one hand he is playing the role of the dark prophet, who anticipates and speaks about black swans and hates false optimist on the other hand he still advocates relentless trial and error. OK, these are not contradictory.]
8. Don’t read newspapers for the news (just for the gossip and, of course, profiles of authors). The best filter to know if the news matters is if you hear it in cafes, restaurants… or (again) parties.
[I have written about this already (Top 5 Reasons Your Friend is Very, Very Old). Old people (who were fed mass media with mama’s milk) have a habit of regurgitating front pages of newspapers, and they do it at parties all the time. This is an indicator of people being apes not of significance of the news. But I do get the point about social filtering.]
9. Hard work will get you a professorship or a BMW. You need both work and luck for a Booker, a Nobel or a private jet.
[Luck and sometimes work, in that order.]
10. Answer e-mails from junior people before more senior ones. Junior people have further to go and tend to remember who slighted them.
[Better yet, write to old and young that it doesn’t matter if you answer the email. It takes face time to care and that is the only thing that would be remembered in end.]
I feel like paying homage to the alter heim. All photos were taken by Life photographer Jerry Cooke in April of 1959, for the report on religion in CCCP. That was before any significant emigration in the mid sixties. If you recognize any of the people, please let us know. I only recognize Rav Levin in the photos. ►►►read more
3 German soldiers, each of whom lost a leg in combat, exercise w. medicine balls at an amputee rehabilitation facility w. their physical therapists. 1942
In curating Hugo Jaeger I am only interested in photos that don’t fit the mold. ►►►read more
Adolf Hitler (back to camera) w. Inge Ley, blonde wife of labor ldr. Robert Ley during reception. (DATED 1940'S)
In Hugo Jaeger’s archive there are plenty of photographs with Hitler looking over various parades, at the backdrop of cartoonish swastikas, etc. But Jaeger had an incredible access and those are really interesting shots. Adolf Hitler today is either a caricature suitable for YouTube parodies or an arch metaphor of evil. Oh, the retched catastrophe of the 20th century, the extraordinary ordinary dictators that dominated that era. An ordinary man like Hitler becomes a messianic metaphor by borrowing evil from the people. It’s far easier to treat Hitler as an arch evil; it redeems the humanity from the uncomfortable recognition. Indeed Hitler was only playing with the shadows, the dark gifts that people willingly gave him. But there is more to it; the caricature serves the benevolent dictators and the purveyors of the crowd adulation. The arch good ones want the power on the flip (good) side of this mass transaction. Christ triggers Antichrist, so the super evil must have a super man to fight it. But both good and bad are powerless without borrowing (stealing) from the people. Both good and bad heroes can’t bless or curse; they just point their dreadful fingers at the good and the evil of the humanity. ►►►read more
In 1938 Hugo Jaeger (who was Hugo Jaeger) photographed British Prime Minister Neville Chamberlain during his infamous visit to Germany. It’s not hard to see a gentleman overwhelmed by the display of the military costumes and the theatrical Nazi staging. These photos were taken in September 1938 in Munich. ►►►read more
Hugo Jaeger was Adolf Hitlers’s court photographer from 1936 till the end of Hitler and the war in 1945. Hugo Jaeger continued to photograph around his muse even after Hitler’s death, going to Austria to the birthplaces of Hitler. Hugo Jaeger took color photographs much ahead of his time (I know little about the technique). In the Life archive there are professional photos that were taken 20 years after the war that don’t come close to Hugo Jaeger’s quality. Jaeger took the photographs of the Kutno Ghetto that I previously published.
I think it is a big internet wrong to publish photos without attribution to a photographer. Somehow people think that art has an authorship but photographs don’t. Even though the process of photography is mechanical, there is always a distinct signature. Another wrong is not breaking photos thematically, not identifying the place and time a photo was taken and lumping together photos from different years and places. Anyway, here is the story of Hugo Jaeger’s archive (via Life):
“In 1945, when the Allies were making their final push toward Munich, Jaeger found himself face to face with six American soldiers in a small town west of the city. During a search of the house where Jaeger was staying, the Americans found a leather suitcase in which Jaeger had hidden thousands of color photo transparencies. He knew he would be arrested (or worse) if the Americans discovered his film and his close connection to Hitler. He could never have imagined what happened next. The American soldiers threw open the suitcase that held the Hitler images. Inside, they found a bottle of cognac that Jaeger had placed atop the transparencies. Elated, the soldiers proceeded to share the bottle with Jaeger and the owner of the house. The suitcase was forgotten. After the Americans left, Jaeger packed the transparencies into 12 glass jars and buried them on the outskirts of town. In the years following the war, Jaeger occasionally returned to his multiple caches, digging them up, repacking, and reburying them. He finally retrieved the collection for good in 1955 — 2,000 transparencies, all of them, amazingly, still in good shape — stored them in a bank vault, and in 1965 sold them to LIFE. To date, only a fraction of the Jaeger collection has been published.”
The database that I have seen contains photos only approximately till 1940. I am pretty sure I remember seeing the later photos on the net, i.e. from Kiev and Babiy Yar. There are at least 2,000 photos in total I belive. Not sure to what extend Life is hiding the complete archive. To my knowledge Life never published the photos in print but only released them in spurts on the web very recently. The photos are also blasphemously sprinkled around the blogosphere. But frankly they all don’t know how to curate photos on the internet. When I curate photos it’s not just the pictures but a story and I intend to tell a story or two under Hugo Jaeger Tag.
In 1944 photographer Alfred Eisenstaedt went up to Oswego, NY on the southern bank of Lake Ontario. Jewish refugees rescued from wartime Nazi-occupied Europe were being housed at Fort Ontario, former army camp converted to a safe haven for refugees by Pres. Roosevelt. Here are the remarkable portraits by Alfred Eisenstaedt.
Dancing for the locals who have come to gawk
I found the photography of Paul Schutzer really remarkable and previously published three posts with Paul’s photos – New York Fashion and Israel 1960 and Italian Men. And today Lenny Ben-David emailed me with a link to the Time magazine sideshow. Lenny wrote that Paul Schutzer “was embedded with an Israeli armored column moving into Gaza in the 1967 war. His half-track took a direct hit”. They found this film roll in the camera next to Paul Schutzer’s body. I went back to the archive and this is the last roll:
And these are the photos from the last roll: ►►►read more
I continue to research the vast collection of photos from the LIFE Magazine. I like to collate photos thematically or select photos from a series by one photographer. I noticed very interesting photos by Paul Schutzer, most of them as a Life correspondent in the early 1960s. Here are some photos I really like from the 1960 series in Israel. ►►►read more




