Jacques-Louis David, Homer Reciting his Verses to the Greeks, 1794. Black and red chalk, pen, ink and wash, 272 x 345 mm Musée du Louvre, Paris
Alain de Botton in Standpoint Magazine – A Religion for Atheists:
“The most boring question to ask about religion is whether or not the whole thing is “true”. It’s a measure of the banality of recent discussions on theological matters that it is precisely this matter which has hogged the limelight, pitting a hardcore group of fanatical believers against an equally small band of fanatical atheists.
We’d be wiser to start with the common-sense observation that, of course, no part of religion is true in the sense of being God-given. There is naturally no Holy Ghost, spirit, Geist or divine emanation. Dissenters from this line can comfortably stop reading here, but for the rest of us the subject is henceforth far from closed. The tragedy of modern atheism is to have ignored just how many aspects of religion continue to be interesting even when the central tenets of the great faiths are discovered to be entirely implausible. Indeed, it’s precisely when we stop believing in the idea that gods made religions that things become interesting, for it is then that we can focus on the human imagination which dreamt these creeds up. We can recognise that the needs which led people to do so must still in some way be active, albeit dormant, in modern secular man. God may be dead, but the bit of us that made God continues to stir.
It was our 18th-century forebears who, wiser than us in this regard, early on in the period which led to “the death of God” began to consider what human beings would miss out on once religion faded away. They recognised that religion was not just a matter of belief, but that it sat upon a welter of concerns that touched on architecture, art, nature, marriage, death, ritual, time — and that by getting rid of God, one would also be dispensing with a whole raft of very useful, if often peculiar and sometimes retrograde, notions that had held societies together since the beginning of time. So the more fanciful and imaginative of thinkers began to do two things: firstly, they started comparing the world’s religions with a view to arriving at certain insights that transcended time and place, and secondly, they began to imagine what a religion might look like if it didn’t have a god in it.
In the early, euphoric days of the French Revolution, the painter Jacques-Louis David unveiled what he termed “A Religion of Mankind”, a secularised version of Christianity which aimed to build upon the best aspects of the old, discredited tenets. In this new secular religion, there would be feast days, wedding ceremonies, revered figures (secularised saints) and even atheistic churches and temples. The new religion would rely on art and philosophy, but put them to overtly didactic ends: it would use the panoply of techniques known to traditional religions (buildings, great books, seminaries) to try to make us good according to the sanest and most advanced understanding of the word.
Unfortunately, David’s experiment never gathered force and was quietly ditched, but it remains a striking moment in history: a naive yet intelligent attempt to confront the thought that there are certain needs in us that can never be satisfied by art, family, work or the state alone. In the light of this, it seems evident that what we now need is not a choice between atheism and religion, but a new secular religion: a religion for atheists.
What would such a peculiar idea involve? For a start, lots of new buildings akin to churches, temples and cathedrals. We are the only society in history to have nothing transcendent at our centre, nothing which is greater than ourselves. In so far as we feel awe, we do so in relation to supercomputers, rockets and particle accelerators. The pre-scientific age, whatever its deficiencies, had at least offered its denizens the peace of mind that follows from knowing all man-made achievements to be inconsequent next to the spectacle of the universe. We, more blessed in our gadgetry but less humble in our outlook, have been left to wrestle with feelings of envy, anxiety and arrogance that follow from having no more compelling repository of our veneration than our brilliant and morally troubling fellow human beings.
A secular religion would hence begin by putting man into context and would do so through works of art, landscape gardening and architecture. Imagine a network of secular churches, vast high spaces in which to escape from the hubbub of modern society and in which to focus on all that is beyond us. It isn’t surprising that secular people continue to be interested in cathedrals. Their architecture performs the very clever and eternally useful function of relativising those who walk inside them. We begin to feel small inside a cathedral and recognise the debt that sanity owes to such a feeling.”
In America this architectural cathedral is called a shopping mall.
“In addition, a secular religion would use all the tools of art in order to create an effective kind of propaganda in the name of kindness and virtue. Rather than seeing art as a tool that can shock and surprise us (the two great emotions promoted by most contemporary works), a secular religion would return to an earlier view that art should improve us. It should be a form of propaganda for a better, nobler life.”
It’s interesting that classically trained Alain de Botton thinks of art as framed object or a sculpture. If you consider film an art, and I believe it is, you can see how it incorporates propaganda rather neatly.
“It is in German philosophy of the late 18th century that we find the most lucid articulations of this idea of idealising propaganda. In his On the Aesthetic Education of Man (1794), Friedrich Schiller proposed that artists should present us with portraits of secular “saints”, heroic figures of insight and sympathy whose example should inspire us. Rather than confronting us with evocations of our darkest moments, works of art were to stand as an “absolute manifestation of potential”; they were to function like “an escort descended from the world of the ideal”.
A third aspect of secular religion would be to offer us lessons in pessimism. The new religion would try to counter the optimistic tenor of modern society and return us to the great pessimistic undercurrents found in traditional faiths. It would teach us to see the unthinking cruelty discreetly coiled within the magnanimous secular assurance that everyone can discover happiness through work and love. It isn’t that these two activities are invariably incapable of delivering fulfilment, only that they almost never do so. And when an exception is misrepresented as a rule, our individual misfortunes, instead of seeming to us quasi-inevitable aspects of life, will weigh down on us like particular curses.
In denying the natural place reserved for longing and incompleteness in the human lot, our modern secular ideology denies us the possibility of collective consolation for our fractious marriages and our unexploited ambitions, condemning us instead to solitary feelings of shame and persecution. A secular religion would build temples, and anoint feast days, to disappointment.”
I consider religion to be the creative literary legacy. I am inspired by the imagination and despise commentary about the creative works. I consider the language and text to be the most important cultural threads and it never stopped, even when it wasn’t canonized or incorporated into the sacred. In this regard the literally tradition never ceases to notice the shadows.
“A secular religion would deeply challenge liberal ideology. Most contemporary governments and even private bodies are devoted to a liberal conception of help; they have no “content” — they want to help people to stay alive and yet they make no suggestions about what these people might do with their lives. This is the opposite of what religions have traditionally done, which is to teach people about how to live, about good (or not so good) ways of imagining the human condition, and about what to strive for and to esteem. Modern charities and governments seek to provide opportunities but are not very thoughtful about, or excited by, what people might do with those opportunities.
There is a long philosophical and cultural history which explains why we have reached the condition known as modern secular society. Yet it seems there is no compelling argument to stay here.”
There was already an attempt to create godless religion, the CCCP version. Complete with saints, sacred architecture to make a person feel very, very small, propaganda, instruction how to live and of course the mythology. Not sure about that experiment… Any cultural structure, religious or not, elevates people into the position of leadership and priesthood. The leaders use the ideology to abuse the populace, no matter if you have God involved or not, it works pretty much the same. Still it’s worth another try.
Image licensed courtesy of Picture Library of the Royal Academy of Arts
This drawing was sold yesterday for £29,161,250 or $47,941,095 in London (Christie’s). This head is a sketch for one of the figures on the “Parnassus” wall in Stanza della Segnatura in Vatican. I wrote about one of the walls in Stanza della Segnatura – “The School of Athens” in my post Hypatia of Alexandria and the End of Reason.
Andrea
The slave with the golden earrings impersonating Atlas: “That bright red rope is tempting…”
