Posts tagged as:

theater

The Post Orthodox Archipelago, a Purim Shpil

by Ben Atlas on 03.2.2010.11:15am · 0 comments

With all the chatter about post-orthodoxy I had a chance to observe some in the belly of the beast this Purim. There are certain aspects of a civilization that are almost non existent in the Jewish tradition, like civil governance, the structure of education, etc. You would expect this from a tribe historically deprived of a country. But there are the persistent formulas. Hey, you can tell a Russian from a mile, long after they crossed the pond (at least a Russian can). So while I was watching the Purim dancing a woman pointed to the dance floor and said to me: “Why the vulgar moves?” It was too noisy to respond but I immediately recognized a Russian girl and the typical Russian dance moves. It was not vulgar; it was how they dance in Russia.

On my way to New York I was reading the book about Spinoza by Rebecca Newberger Goldstein, that she kindly signed for me. The opening chapter is a lengthy description about the first encounter with Spinoza in the Lower East Side Orthodox high school in the late sixties. All the angst of the intellectually curios girl colliding head-on with the “history” as taught in the typical indoctrination factory. I was getting inpatient, I read millions of such descriptions in the Jewish context but especially for people who grew up behind the iron curtain this was our life. There are volumes of the dissident literature that talk about the subject. Nevertheless the book came back to me after Purim. It takes a heroic effort, the mad curiosity of someone like Rebecca to overcome the indoctrination. Most people succumb to the path of least resistance and carry the legacy through their lives. And one can gleam the post denominational insight from the real pockets of the New York post orthodoxy. Here is want you should expect from the post orthodox culture:

  • You should expect to meet people who have a transactional relationship with other human beings. The value and emotion are reserved for the vertical interactions with the tribal social hierarchy and the family (antisemitism anyone?). This includes the hierarchical dead. An orthodox or post orthodox Jew is much more likely to have an emotional encounter with a grave than with a human being.
  • You should expect to meet people who view women as highly evolved domesticated animals and you should expect women to expect to be treated accordingly.
  • You should expect to meet people who internalized the belief that ideas and inspiration are to be contained, at best are just an exercise in futility.
  • You should expect to meet people who have been taught from the cradle that “words never actually mean what they say”, there is never a “simple meaning”. This has some unexpected outcomes, for example 10 am never actually means 10 am (I was wondering about that… There is the historic antisemitic misreading towards the assumed subterfuge of what Jews say or promise. Actually this culture is only a reflection on the stubborn assertion that there is a deconstructed secondary meaning to any narrative). I have to agree that one is pretty annoying.

But let me break from the list as I am about to make a point about Purim. So I was sitting having my lunch on Tannis Ester. Over sudden there is a herd of yeshiva yingelach walking down the street. I knew some of them; they looked like they just landed from the moon in that neighborhood in Boston. I was wondering where they were going till they took a sharp turn to a consignment second-hand clothing shop. But of course they were shopping for the Purim costumes. So wait, don’t they already wear a costume? In a regular culture a carnival is a day when you exercise your alter ego. But what do you do as an orthodox Jew when you daily life is behind a mask in a costume. Do you come out as yourself? For this very reason I always felt that the orthodox Purim is such an unsettling horror show. I am yet to meet an orthodox woman without a tzitzis envy that doesn’t have a proudly displayed photo of herself when she was 14 on Purim as a bearded Chassidic man…

  • You should expect in a post orthodox world to meet people who have ten times more personalities and costumes than a regular person and you never know what mask you are talking to at any given moment.

Zizek on Crossdressing to the Sound of Music

by Ben Atlas on 02.26.2010.11:45am · 0 comments

A clip of Slavoj Zizek talking about the classic musical The Sound of Music. I need to see the film again but let me think about this for a moment. The film was a Broadway remake, I wonder if there was an evolution of the imagery. A classic carnival persona is Mikhail Bakhtin’s cultural mirror image. Here Zizek claims that the mirror image itself is just a metaphor, it’s a bit of a cheap shot. Because in reality Nazis were impersonating the Jews all along. Look, here is the basic Nazi idea – the Jews want to dominate the world, the are in control of the European politics, music, art, banking, culture, etc. So instead of denouncing the very idea of the cross border domination, the Nazis said that’s exactly what we Germans want to do. We want to forcibly cross-dress as the Jews and dominate all aspects of the European culture and there could not be two nations playing this role at the same time. You see how it becomes easy to reverse engineer Nazis into Jews even in the film. Except Zizek is not telling you that this was always the Nazi ethos to become the Jews and the bucolic agricultural nationalism versus the cosmopolitan industrial, rootless domination was the central stage of the horrible conflicts. And of course Hitler himself being an Austrian from a small beautiful village makes the role reversal complete. Check it out: ►►►read more

Weimar Girls at La MaMa

by Ben Atlas on 12.8.2009.9:24am · 0 comments

Pesh, Mark Altman, Shmulik Nemanov

Pesh, Mark Altman, Shmulik Nemanov

We went to see “Oh, Those Beautiful Weimar Girls” in the legendary La MaMa Theatre  in the Village. The play is directed by Ildiko Nemeth. Written by Mark Altman. Choreography is by Julia Atlas Muz. The play is about Germany in between the two wars and the dancer Anita Berber.

How to Sell, Market and Love Online

by Ben Atlas on 07.22.2009.12:52pm · 2 comments

I know this is a big title by the recommendation is pretty simple, it’s all about people. A story, I have a neighbor, she actually lives in London, but comes every summer to Boston for a seasonal theater production. So I run into her on the street, your classic yenta with a fancy accent, and she immediately gives me a stack (two dozens) of promotional prints for the play. I asked her to look me up online, so she can send me an email, and have a cup of tea, etc. She did look me up online and promptly forwarded to me an ad about her darn play without any introduction, etc.

Look, I don’t care for a play that is staged on the other side of the harbor in some abandoned waterfront industrial area. But I might care for the play if I care for the person who is part of it. You want to make a sale; you would have to know me first. And the funny thing is that I could have helped the play with publicity.

This reminds me of a friend whom I hooked on Twitter. In his first week on Twitter he forwarded, I kid you not, hundreds of links to his web site. When I told him he was crazy he argued that the people do click. Yes people click once to see who the new fish in the pond is but then you go to the blind spot exile. The blind spot is our coping mechanism to deal with the overflow; it is tuned to ignore everyone with whom we don’t have a personal connection. That huge virtual geographical region is the matter of online survival. Guy is right, it’s all about people.

So you want to be clicked and followed, take time to make real connections, there is no other way. The love you take really equals to the love you make.

Meet Beth Sholom in San Francisco

by Ben Atlas on 06.29.2009.2:44pm · 6 comments

Hi, my name is Beth Sholom Synagogue. I was designed by Stanley Saitowitz | Natoma Architects, the pretty pictures were taken by Rien van Rijthoven & Bruce Damonte and there is a story about me at ArchDaily. Let me tell you about myself.

bethsholom26

I live on the corner of a San Francisco Street. I have not friends on the block, I am not sure why, perhaps they don’t know that I am really beautiful on the inside. ►►►read more

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